A thin film exists between sanity and madness, learn the protagonists of Saturday’s Shadows, as they try to find and hold on to love in the volatile world of 1990s West Africa. After a 17-year military dictatorship, the members of the middle class Avoka family lurch towards destruction as their country is trying to find its footing. The father, Theo, is recruited to write the memoirs of the dictator-turned-president whom he both loathes and reveres. Zahra, matriarch of the Avoka household, rekindles an affair with an old lover and barely keeps her family and sanity together. Theo and Zahra’s son Kojo has just started the boarding school of his dreams but finds out sometimes dreams should remain dreams. Their help, Atsu, a recent transplant from the village, struggles to understand big city living with all its temptations—money, men, and lust—and a family in which the mother doesn’t possess a single domestic bone. The climate they live in is politically complex, a time so tenuous the country could easily dip back into its military past.
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